We already featured Dead Girls Academy on the pages of this zine with the review of their awesome album.
Now, the guys have their new video out so check it out!
I feel it’s my musical destiny to bring rock back to the forefront of music! It’s time it comes back swinging!” declares DEAD GIRLS ACADEMY frontman Michael Orlando. “This song has been going over incredibly well in concert so we wanted to give our fans a video they can get excited about live. I love when people get rowdy and show emotion during this song, it’s quite a blessing to have your music connect on many levels.”
“Most people expected a video drenched in blood or something out of ‘Night Of The Living Dead’ but that’s the reason we went ‘digital’ with the aesthetic. I’ve never done something like that before and this song leans on the concept of someone trying to change you. This is something we all deal with in friendships and relationships alike. Great things will come if you can look past other people’s distractions and know your self-worth.”
“It’s been a blast touring with our brothers in From Ashes To New. I love going out with bands that have passion and amazing production. I learn a lot watching bands perform and FATN really bring a great set! We are hitting cities I haven’t played in years and bringing our brand of music across the US once again.
Eclipse Records is thrilled to announce the signing of Swedish pop-punk rockers Frankley Everlong to an exclusive, worldwide deal. “I am very excited to sign with Eclipse Records and looking forward to work with them towards a bright future,” states bassist Niklas Petersson. Drummer Olof Måhlgren says, “Signing with Eclipse feels like all the hard work we put into this band is starting to pay off.”
Based in Kalmar, Sweden, Frankley Everlong combine elements of disco and new-wave synth with an energetic punk rock sound. The band released their debut album Songs for the Broken in 2014, and they toured in support thereof throughout 2017. Throughout early-mid 2018, the band hit the studio to record new material, completing a new full-length album which will be released in January, 2019 via Eclipse Records (Mushroomhead, A Breach of Silence, Bobaflex).
For a taste of the band, check out ‘Sweet Sour Valentine’ from their previous album on Spotify or Apple Music, and watch the video via YouTube.
New Jersey emo-rock outfit Sleep In have just released a new music video for their song “Cleaner Days.” The video pays homage to the iconic printer smashing scene from Office Space. “Cleaner Days” comes from their 2017 Black Numbers debut Tension & Release. The band has a run of Fall tour dates planned throughout the Northeast including a stop at The Fest 17 in Gainesville, FL.
“Cleaner days” for me is a way to touch on how growing up in my social setting and being a kid diagnosed with “ADHD” led to heavy prescription medication and how that translates into being an adult and self-medicating, always trying to find the blurred line between addiction and recreation. Those experiences taught me how easy it is to lose control. I think the chaotic nature of the music lent itself to that exact feeling of insanity, and inspired me to write these lyrics. – Tom Fowler (Vocals)
Tour Dates:
10/24 – Richmond, VA @ Yellowhouse
10/25 – Savannah, GA @ The Uprising
10/28 – Gainesville, FL @ The Fest
11/8 – Glassboro, NJ @ Rowan House Show
11/16 – Flemington, NJ @ Flemington DIY*
11/17 – Long Island, NY @ Creative Corner*
11/18 – Philadelphia, PA @ The Pharmacy*
Bio: Sleep In. was once marketed as the new project from Eric McNelis, who cut his teeth alongside scene staple Evan Weiss in The Progress. Sleep In.’s 2014 debut LP Settling was undoubtedly a conversation piece anchored in nostalgia for that project, its no-frills approach to angular indie rock diminished by its somewhat-star power. No longer searching for a point of entry, this Cherry Hill, NJ five-piece returns with the Tension & Release EP, their first for indie label Black Numbers.
Sleep In. began at the intersection between smoldering first impressions and charring afterthoughts, where the meat of their tracks negotiated between fireworks and graceful fades. The seven songs on Tension illustrate a different seesawing, whether in the band’s invertebrate guitars that split and fold, or vocals that cascade upwards beyond the confines of the EP’s cautious, yet bright rock construction. Instead of holding in their energy for one final explosion, the songs here truly find their sweet release, simmering to completion for delayed gratification and a continual process of exposure and exploration, whether in the drums that burble and snap or the storytelling that drifts inward more often than generalizing the band’s transitory phase.
On Tension & Release, Sleep In. has finally found their comfort zone while not abandoning their original home base, a genre-agnostic offering that is more a reflection of a whole than the sum of its parts.