We are stoked to announce the latest addition to our Live in a Dive series with RKL! This is our tenth installment of the series, and takes us back over 30 years to Eindhoven, Holland. The 17-song tracklist is mainly culled from their 1987 album Rock’ n Roll Nightmare, and was recorded at the famed Eindhoven squat-turned-venue De Efenaar. The album cover features the incredible art by longtime RKL cover artist Dan Sites, who recently sat down with Fat Mike on Fat Mike’s Fat Mic to discuss his iconic career, and all things RKL, with founding member, Chris Rest. The album drops on June 3rd and is available for pre-order. Check out the absolute banger of a single, “Scab on My Brain,” streaming everywhere and anywhere that you can stream music!
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(review) Knight & Gallow – For Honor And Bloodshed
Knight & Gallow are hailing from California and after releasing one single and demo this is their first full length opus. This one contains intro and eight songs. Knight & Gallow play a mixture of heavy metal done in old school style if I must compare it to some bands it would be a more nwobhm version of Cirith Ungol or little Manilla Road, but the trouble I have with these songs on the album is they sound all too similar and they just didn´t reach that my inner vibe and touched my metal heart in the way they were supposed to. Lyrically band is varied between Tolkien, vikings, crusades, gods of war and all other merry themes. There are three songs that stand out for me above rest of the material, those are Stormbringer´s Call, Blood Of Wolves and Black Swordsman with blast beat part and almost thrash power metal solo and melody. This is a decent debut, we will see what the future brings.
5,5/10
(book) USBM: A revolution of identity in American black metal by Daniel Lake
Wow! This is all I can say after I finished this 500+ pages monstrosity by Daniel Lake with a foreword by legendary Tom G.Warrior of Celtic Frost and Hellhammer fame. I always somehow held European black metal in higher worth and regard than American black metal scene, but now I understand how wrong I was. Leaning more into punk rock and hardcore back ground than its European counterparts, American bands and projects have managed to create their own identity and large quantity of originality not trying to sound like third grade clones of Darkthrone and Burzum, rather evolving and thus becoming hated by some black metal purists circles, but also becoming original in their diy and free spirit. This book covers it all in shape of articles and rich interviews, from old school masters Judas Iscariot, Absu, Von, across Inquisition, Deafheaven, Panopticon, Krieg, Leviathan, Xasthur and many, many others. This book is a worthy document of a scene and its worth cannot be grasped in one reading, so I am definitely going to have to read it once or twice more soon. Great book!


