Orange County´s melodic hardcore heroes Stick To Your Guns had many plans for 2020 but for reasons known to everybody those plans went bust. But, the guys didn´t despair, but delivered new seven inch e.p. containing four songs. This time, the band presents to the people on their more gentle acoustic side, three of the songs being acoustic renditions of STYG songs, fourth one being a cover of A-HA´s classic Take On Me. What to say? The songs done in such acoustic way sound more dark and have that sad and melancholic vibe which make you realize again and again why you love hardcore so much, music which can give you all the emotions you can relate to. Amber sounds awesome in this arrangement and is one of my personal favorites on this record besides fantastic version of classic pop song. Nobody and Forgiveness Of Self sound so sad and yet so hopeful at the same time, especially Nobody with great backing vocal harmonies and the whole song just made goosebumps crawling on my skin. This is a great seven inch, go get it, listen and see the other side of this fantastic band.
Dens have announced a re-worked version of their 2020 release re-titled “Tamed Tongues.” Read the band’s statement about the motivation behind the new project below.
When we planned for “Taming Tongues” to be released in 2020, we had no idea what the year would bring. On the one hand, we were amazed at how timely an album about being slow to speak and quick to listen would end up being. This year has further solidified our conviction that it is absolutely imperative to handle words responsibly, empathetically, and with a firm conviction on truth. On the other hand, an album release in the middle of a global pandemic was far from ideal. Touring? Nope. Festivals? Nope. Live music in any venue? Nope.
Since we really wanted the message of the album to be heard by others, we did the only thing we could think of in order to make that happen in a year without live music – We decided to write it again… this time with an altogether different vibe. In the spirit of social distancing, we left crowded parking lots behind and hopped in a van headed for backroads and a cabin in West Virginia, the place where “Taming Tongues” was originally born. It felt strange because we didn’t pack down the van with multiple guitar heads and distortion pedals, but we instead filled it with acoustic guitars, a bass and bow, banjos, a mandolin, a harmonica, drum brushes, shakers, and, yes, even a jaw harp. We retreated from civilization to combat the Covid blues by arming ourselves with folk instruments and a more tranquil mindset.
The product became “Tamed Tongues.” Going into 2020, we felt compelled to bring a message about godly discernment in our communication through intense melodic post-rock. Now, reflecting back on 2020, we felt compelled to voice the same message through reflective Americana. It is true that even foolish men are wise when they learn to keep quiet (the old track titles). It is also true, looking back on this year, that even foolish men were wise when they learned to keep quiet (the new track titles). Each song from “Taming Tongues” was recast with an acoustic bent. We tried to faithfully represent the meaning of the originals while also giving the listener the chance to experience the lyrics in a completely new way.
For those of you who are wondering – No this does not mean that we are no longer playing heavy music. We will be back to our usual post-rock musings on the next record. But “Tamed Tongues” seemed to be a fitting bookend to our lyrical declaration after a year of back and forth keeping tension on us. Perhaps “Tamed Tongues” will find the ears of someone who would have never listened to Dens noise otherwise.
Man, I grew to love and hold this band in special part of my heart being sincere and great horrorpunk band. No bullshit, no philosophy, just great songs with nice harmonies, cool vocals and beautiful written songs.
This time, because all of the covid virus shit, no gigs and stuff, the guys delivered an acoustic e.p. to treat us, their fans with something nice and special. There are three songs on this record, namely Co-Ed, Zap Nap and Satanic Mastermind, wtih Zap Nap being my personal favorite. All of the songs have gritty lyrics like we are used to from great horrrorpunk bands. I love how the guys use influence of doo wop sound in some song parts, that is my guilty pleasure, listening to doo wop, so incorporated into horrorpunk, it just sounds so good. I am not an avid fan of acoustic records, but some are worth listening, this is one of such.