Ach, Hungary. Lovely land and our neighbors not even thirty kilometers from my hometown is Croatian-Hungarian border. BlackWeald is a dark ambient/drone project from that land, with a touch of dungeon synth and epic melodies here and there in 14 songs that are featured on this new opus. What I love about this one is that it does not get boring or repetitive for one second. The slow gradation of eerie horror atmosphere creeps in with length and solitude of this music. This one is an atmosphere of careless Summer hot corn and wheat fields of Hungary turning into something sinister, death itself, but us being to closeminded and stupid to see it and acknowledge it. This reminds me why I love horror and why I love music like this one. The usage of old samples in Hungarian only adds to the overall creepiness and feeling of loneliness, dread, suicide, depression and anguish. This is not for everyone, but selected few will appreciate this one. I know I do.
Tag Archives: dungeon synth
(review) Skhemty – Sunrise on the Old Kingdom
I first learned about and started to listen and love dungeon synth through my friend Kktz(Tenebrositas, Talog) who sent me couple of releases and this was an ideal meditative and music for my darkened heart besides black metal. In time, I explored the scene and found out some really magnificent entities and releases. Skhemty hails from France and its theme is musical exploration of ancient Egypt, its mystic and mystery. But Skhemty also manages to create atmosphere of medieval Byzant and Middle East in its musical direction and this album is a keeper. There are eleven songs on this opus and what immediately comes to mind, songs are not too long or repetitive to become boring, quite the contrary. This is a epic and emotional dark journey filled with almost cinematic enthusiasm and a bit of melancholy and sadness. Great album for all you dungeon synth/dark ambient fiends out there. My personal favorites are Golden Age, Mirage over the Dunes and Ancient Ruins in the Desert.
9/10
(band of the week) Dungeon synth from Ecuador – URKU LLANTHU
URKU LLANTHU is a solo musical project originating from the city of Quito-Ecuador, which was born in 2018 and in turn formally comes to light with audio and video material for the year 2020, full disc in physical format that is available since November 2020. Album contains 8 unreleased tracks (1 intro + 7 songs) and bears the name of the musical project URKU LLANTHU accompanied by its official video-clip.
The musical trajectory of the only multi-instrumentalist member of the URKU LLANTHU project (Pablo Mesías) dates back to 1998 when he was part of the band ACRACIA, a period that lasted until 2004.
After this project from 2005 to 2010 he was a member of NEKROPSIA also from Ecuadorian capital.
After a few years in the period from 2013 to 2016 he sang in BLASFEMO shortly after forming ALKITRAN project also originally from Quito-Ecuador; from 2016 to 2018.
2018 was the year when an idea that existed for a long time was born and came to light in 2020 in a totally independent and DIY way under the name of URKU LLANTHU – darkened music adding string instruments, percussion, harmonics such as piano, wind instruments etc. … and thus getting to musically capture the ideas and compositions of its only member Pablo Mesías (Atuk Urku Llanthu – pseudonym) trying to capture the atmosphere of attachment to the Andean worldview and the rescue of the ancestral language Quechua, typical of many indigenous peoples, it resides within the genre Dark Ambient/Dungeon Synth/ Folk Metal in an instrumental way expressing feelings and thoughts of the person who creates this musical framework and the project, under the proprietary seal by the same composer and author named TAKIRI PRODUCCIONES INDEPENDIENTE.
At the moment, audio-visual production in video format is available on YouTube platform official channel URKU LLANTHU:
(https://www.youtube.com/playlist?list=PLQ5HqA5amf8qYE0LkQ-3IjcVQB0SorjkD)

