It took a couple of years but here is the new, third release by Kurve. I listened to the record and reviewed it for this webzine.
Kurve are hailing from Zagreb, the capitol of Croatia, and they have a somewhat unique musical expression compared to the other bands from the Croatian punk hardcore scene. By combining hardcore, fast rocknroll and punkrock with poetic lyrics, they manage to achieve an intensive musical experience. Not to mention their highly energetic live shows which I recommend for you to check out. This record contains 5 songs, all of them having lyrics in Croatian language. As I said before, the lyrics are personal and at the same time they possess some gorgeous, drunk and obnoxious charm. The title song is an anthemic fast paced punk n roll anthem with raw riffs but charming subtle melodies underneath it all and this one, along with Ispovijed is my favorite song on this record. This is a very strong record for all of you who love to try something a bit different. Check it out!
8/10
Miss Vincent formed in 2012, bonding over their mutual love of bands like Alkaline Trio, AFI, Against Me!, The Ramones and loads more, and have been sleeping on floors and sitting in traffic jams ever since. Their first EP, Creepy, came in September 2013, and their first release took them up and down the country, leading to support slots with As It Is, Plague Vendor, Sonic Boom Six and others, cementing a solid fanbase.
The band signed to Engineer Records for their sophomore EP, 2015’s Reasons Not To Sleep, which showed a darker edge and garnered press interest from major outlets, with Kerrang! calling them “South Coast punks whose DIY attitude and bleak, rapid-fire jams are turning heads up and down the country” and Rocksound noting the EP “oozes anthemic and melodic punk rock indifference, that harks back to the early days of AFI with a twinge of British moodiness”. The video for “Disparate, Desperate” gained airplay on all major music channels, and was selected by Scuzz Underground for their Best of 2015 show. Hitting the road in support of the release, Miss Vincent supported bands like Bayside, Fearless Vampire Killers, Calabrese, Dead! and Vukovi, as well as taking on their own headline shows.
Following their first, sell out headline show in London, Miss Vincent signed to Uncle M (Muncie Girls, Apologies I Have None) in early 2017 and released their latest EP, Somewhere Else, in May. Considered by the band as a big step up musically, it was recorded at The Ranch with Daly George (Creeper, Milk Teeth, Boston Manor) and featured a much more considered approach to production and songwriting. On release, the EP was well received by major press outlets, featuring in Kerrang and getting a nod in their 21 British Bands to Watch list, being featured at HMV’s Next Big Thing, and Rocksound saying “it’s an impressive release, and one they can be justly proud of”. After successful release shows in London and Southampton, the band supported Energy on their Summer tour, and rounded out the year with runs alongside Harker and Faux.
For most of 2018, Miss Vincent have been hidden away in the studio. Their new single, ‘Melanie’ will be released on 13th August 2018, immediately followed by an appearance at Badlands Festival (also featuring Crazy Arm and The Human Project), and a short tour with Creeper and Doll Skin.
The Drowns are relatively new band, but the members have 40+ years of scene experience when you combine them. Featuring the members of Success, Shell Corporation, Time Again, and Madcap, these band knows what to do from the start on.
The record contains 10 songs of tight melodic punkrock. Song structures are midpaced, this is not skatepunk although there are a couple of excursions into faster territories like for example in Boston Accent. What I love about this record and this music is that it has soul, I can almost feel the emotions behind the harsh but melodic singing and the tight musicianship. The other songs that are somehow the higlight of this record for me are Eternal Debate for which the video was made and View From The Bottom. I guess the meaning of this record was to somehow convey those emotions behind the music to the listener and the guys managed to do just that! Awesome record!
KRAYKULLA-WEBZINE 