(movie) The Pale Blue Eye (2022) – good darkened gothic thriller!

When I watched trailers and announcements for this one, I knew this must be a good movie and I was not wrong. Christian Bale leads great actors line-up in this darkened gothic thriller. Bale plays world weary detective Augustus Landor, who is summoned by the army in West Point to investigate the series of gruesome murders. There he finds help of young cadet Edgar Allan Poe(superb Harry Melling – Dudley from Harry Potter serial) who helps him discover dark secrets and uncover the sad and grisly truth about witch hunters, rituals, talk with the dead and the ugly and sad twist at the end of the movie. Besides above mentioned, I must also highlight Gillian Anderson (agent Scully from X-Files) in eerie role of disturbed woman and also Robert Duvall as expert in occult professor Pepe. I don’t know, although this is over two hours long movie, it is not boring for one second and made in nightly darkened tone of gothic like secrets, atmosphere and mood are depressing and sad, from main character to the story itself. Movie is directed by Scott Cooper, known as director of Hostiles, Out Of The Furnace which also featured Christian Bale. Cooper is a co-writer with Louis Bayard and the script is dynamic and well crafted. Murders are grisly and gory, but done in a nice way, so if you are not into gore scenes, do not worry, you will see none of these explicitly in this movie. So, in the end, nice one, but not top of the pops.

7,5/10

(review) Ygør Keim – ‘New Kingdom’

Wow! I can easily imagine this one as a soundtrack for some dark dystopian sci fi movie or some eighties twisted darkened horror movie. Ygør Keim released new album and it contains nine songs. The music is dark. It is industrial. It is punk rock. It is rock. All in one, yet the sum of many parts, sounding cold and unforgiving to us as listeners. Vocals are harsh with effects and I always love clever use of samples. Also, besides shouting and singing, there are whispers, there are screams, like horror movie indeed. There is also some punkish, plain yet effective melody underneath the main themes of the songs. Lyrics and themes deal with horror, cosmic and relentless. Songs and heavy hitters like ‘Undead Creatures’, ‘Sickman’ or ‘The Lowly Servant’ are about to win you over and take you to some other dimension of steel grey sky, cold steel taste on your tongue, machines and hopelessness. This is all very beautiful and for me, I love such music and I am so glad I discovered this hidden gem of the underground scene.

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Finland’s folk black metallers KOUTA reveal ‘Kaarnaköydet’ album details; watch the visualizer video of ‘Häpeä’!

The Finnish folk black metal act KOUTA comes back with a new album, one year after the big success of the debut ‘Aarnihauta‘.  ‘Kaarnaköydet’ – this is the name of the band’s first full-length – will be released on April 21 and it will be available as CD, streaming, and digital download.

The 7 new songs weave a dark and intricate web of sound that is both familiar and refreshingly new. Folk elements have permeated the new sound much more deeply, while the production has become much more clear, powerful, and straight. At the heart of ‘Kaarnaköydet’ lies a gripping narrative centered around the tragic story of two brothers. Through their music, KOUTA explores the complex and often tumultuous emotions of shame, guilt, and catharsis, inviting the listener to join them on a powerful and emotional journey of aesthetically peripheral discovery.

The new single ‘Häpeä‘ is now available on the main digital platforms as well as a visualizer video on band’s YouTube channel.

‘Häpeä‘ deepens the three-part story that serves as the backbone of the new album. The song was chosen as the first single and the opening song for the band’s gigs due to its unforgiving and unconventional nature. It deepens the story of fratricide by exploring the state of mind of someone who has just killed a loved one.

‘I wanted the song to reflect this brutality and emotion, so musically Häpeä is grim and cold,‘ summarizes Eemeli Haarala.

The drum parts of ‘Kaarnaköydet‘ were recorded in a remote cabin in Lapland. Guitars and bass recorded at Pekka Posio’s studio in Helsinki. Vocals, choirs and all other instruments together with the live recording of “Äitimaan Laulu” recorded at Sonic Pump Studios, Helsinki. Mixed by Pekka Posio and mastered by Svante Forsbäck.

Line-Up:

Antti Mäki – Vocals

Eemeli Haarala – Guitar

Lauri Törmä – Guitar, Clean Vocals

Arttu Pentikäinen – Bass, Clean Vocals

Ville Vitikka – Drums

KOUTA Online:

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