Phantomy from Iisalmi, Finland is set to release their debut album From the Wild on June 13th 2025 via Inverse Records.The band has unleashed the second single from the record, titled Wild Jungle Woman. Both the upcoming album and the new single offer listeners screeching guitar riffs, rumbling bass lines, and stadium-sized choruses delivered loud and proud.
The band’s drummer Herkko Lappalainen shares behind-the-scenes insights on the new single:
“I was sick at home and this song was born from a fever-fueled guitar jam session, which resulted in the creation of the intro riff. I thought the riff was so stupidly simple that we just had to turn it into a song. I recorded the demo on the spot, and Eetu came up with great lyrics and melodies for it. The end result was a rock’n’roll banger packed with all the essentials — shredding guitars, double bass drums, and big vocal hooks.”
Hiroe, the new darlings of the American post-rock underground, have revealed their new single ‘Dancing at the End of the World’, taken from their forthcoming debut album, Wield, due 20th June via Pelagic Records.
Both powerfully melodic and heavy, Wield shows the Philadelphia-based quintet mastering their craft, of creating compelling melodies that sound larger than life.
On ‘Dancing at the End of the World’, the group comment: “Though seemingly contrasting, “dancing” and “the end of the world” are brought together to symbolize our shared human capacity to transform pain and vulnerability into something profound and meaningful when facing overwhelming adversity. ‘Dancing at the End of the World’ represents an act of defiant optimism to find hope in the face of hopelessness. It’s a conscious choice to find light in darkness and not be consumed by despair, even when all hope seems lost, even when it feels like the end of the world.”
2022 saw Hiroe burst onto the scene with an explosive debut EP full of soaring anthems and sublime soundscapes. Combining the sonic expansiveness of Deftones with the dynamic heaviness of bands like Isis and Caspian, Hiroe immediately already figured out how to make the most majestic sounding post-rock early in their career. “Our first album, Wrought was a statement of creation,” explains principal songwriter Eric Kusanagi (guitars).
For the recording of Wield, Jill Paslier moved from bass to guitars, with Brian Kong (guitars), Jon Seiler (bass) and Dan Sagherian (drums) joining to complete the lineup. Produced once more by Mario Quintero (Spotlights) Wield capitalises on everything the band learned in the creation of its predecessor, adding to it a new focus on textural intricacies and compositional detail.
“We wanted to show a larger range of musical themes on this record,” continues Eric. “You’ll hear us dive into some synth work, some piano work, some really interesting effects that Mario helped us dial up.” Wield as a resultpacks in a huge range of details, which reveal themselves over repeated listens.
Nevertheless, Wield is still an affair of instant gratification for fans of guitar driven post-rock. From the soaring leads of ‘Tides’ to the epic finale of ‘I’ve Been Waiting For You All My Life’, Hiroe show they’ve upped their game in every department, but especially that which tugs at your heartstrings.
Wield presents the brave new future we all need in these confusing times. A new American frontier on which we can build our wildest dreams and our most daring ambitions.
Hiroe are:
Eric Kusanagi – Guitar Jill Paslier – Guitar Brian Kong – Guitar Jon Seiler – Bass Dan Sagherian – Drums
Wormholedeath is proud to welcome Brazilian hardcore thrash metal powerhouse NADA to its roster! The relentless trio has signed a deal for the release of their full-length album, Entropia, a ferocious and politically charged record that embodies the chaos and defiance of modern Brazil.
NADA: Uncompromising, Unrelenting, Unfiltered
Formed in 2020 in the interior of São Paulo, NADA emerged as a response to the growing social and political turmoil in Brazil. With the pandemic forcing them into isolation, the band used their time to craft a sound that is as raw and urgent as the reality they face.
Driven by the rise of the extreme right and the spread of fascism and denialism in Brazil, NADA channels their rage into fast, direct, and unapologetic music. Their hard-hitting riffs and no-nonsense lyrics aim at the injustices plaguing their country, blending social critique with deeply personal reflections.
After making their mark with a blistering self-titled debut EP in 2022, featuring five uncompromising tracks, the band is now set to unleash their most powerful statement yet: Entropia.
Entropia: A Soundtrack to a Fractured SocietyA sonic gut-punch that refuses to be ignored, Entropia captures the intensity of life in Brazil over the past decade. The album reimagines five tracks from NADA’s debut EP while introducing eight brand-new songs, resulting in a relentless fusion of thrash, hardcore, punk, and death metal, infused with Brazilian and South American influences.The album’s cover art, designed by @kaparootz, depicts the destruction of Indigenous values upon first contact with colonial forces—an allegory for the modern world’s descent into deception and manipulation. NADA draws a parallel between this historical loss and today’s society, where truth is often drowned in a sea of lies.More than just an album, Entropia is a battle cry. It’s the sound of a band refusing to stay silent, using music as a weapon to confront oppression and demand change.
KRAYKULLA-WEBZINE 