All posts by vladkraykulla

Active member of alternative underground scene and culture since early 1990-ies. Underground is a way of life!

(review) No Restraints – Stand Our Ground(Demons Run Amok Entertainment)

I always loved street core, since I was a little hardcore kid growing up, with all those great hardcore bands coming out leaning more on street punk than on metal in their hardcore cookbooks hehe. This is one of such bands. No Restraints are based in Vercelli, north west Italy and they are relatively new band in the scene with this full length album and it contains 12 songs of excellent street hardcore punk based and leaning heavily on OI/street punk and I am amazed that every song on this record is basically an anthem that makes you full with hardcore energy and strength, makes you sing along and listen to it over and over again. Songs such as Streetcore Worldwide, The Flame Still Burns or They Will Never Get Us are sure to become instant classics. Musically this band reminds me of best Agnostic Front, Warzone, Discipline works but they remain also fresh and ready for this new century and decade. Vocals are angry, more of hardcore shouted but fit perfectly to the music and there are plenty of backing and gang vocals to sing along. Lyrics deal with surviving, battling your enemy, loving your friends, unity and all hardcore themes I still love so much. I enjoy every single minute of this record. Excellent!

New Pop Punk Single & Music Video by Atlas for Home!

In the line of mid-2000s pop-punk bands (Seaway, Super American & Neck Deep…), Atlas for Home is a French band distributed by the label KROD Records/Red Toad Music. After two EPs (“More Than a Year” in 2014 and “Late Bloomer” in 2018) and numerous dates in Europe alongside bands such as State Champs, Four Year Strong or Judah & the Lion, the band is back in 2022 with OMG, second single off their upcoming EP. 

This is the second single of the “new Atlas for Home” – now composed of Marion Gualandi & Valentin Guérin – co-produced by Dory-Loup Venta (mirabelle.) and mixed/mastered by Cory Bergeron (Locket). 

In the continuity of their previous single “Keep Going” released earlier this year, “OMG” is a pop-punk track in the true sense of the word: 4 min of dynamic and catchy power chords, on a vocal line not unlike The Starting Line & Taking Back Sunday. A song that calls for the liberation of the word around personal well-being while underlining the difficulty of opening up fully to the world.

100% self-produced, the video for “OMG” features a young girl on the verge of dropping everything. The call of a friend will upset her day and bring her little by little to a total release, mixing road trip between friends and externalization of her feelings. It is a true emancipation towards happiness that the group puts in image. It’s the first time that the band goes behind the camera.

Atlas for Home on OMG:

“OMG is a title that came to us very quickly and spontaneously, as much the melody, the instrumental or the lyrics. Largely inspired by a close friend of ours who has been through a complicated situation at work, between depression & burn out, we wanted to write her a positive song to listen to when a relapse is coming. A little “you can always count on us and know that you are never alone”.” 

Brazilian punks Scumbags drop single Dreadlocks in the Alley!

Scumbags is a punk rock band from Brazil founded in 2017. Relying heavily on their references, which range from classic punk like NOFX and Ramones, to something more “recent” like Green Day and Blink-182, Scumbags band produced a fast and straightforward setlist that drives their show. Scumbags officially debuted their authorial material with the release of two singles, On the Dread Street and The Kid’s Aren’t the Same which were soon followed by the first album titled Sour Days, released in May 2019.

After a break in activities due to the pandemic, the band returned with the single Dreadlocks in the Alley, a song that was already present in their discography, but only in a live version, now receiving the studio treatment it deserves through this definitive redesign. So it could be said that this was a symbolic release as it marked a transition point for the band.