Tag Archives: Germany

(interview) Klabautamann

It was about time to talk with Klabautamann, this interesting black metal entity for my webzine.

1.First of all, hails from Croatia and welcome to Kraykulla Webzine. Could you tell a bit more about musical entity called KLABAUTAMANN for readers who didn´t hear of your opus yet?

What is the meaning behind the name?

Hi there! Klabautamann started out as a teenager fun project back in 1998. That’s when the name came up. It’s the misspelled Version of Klabautermann, which is a ship’s kobold usually appearing as a sign of bad fate. It’s a rather stupid and comical name, but we stayed with it anyways – even after we became more serious about the band, haha.

2. As I understand, you are a one man black metal band, did you play live yet, or are there any plans maybe to play live with session musicians?

You’re right, since Flo left a couple of years I’m the only remaining permanent member. When it was still the two of us, we did play some gigs with guest musicians, which was a really good experience. Currently I don’t have concrete to play live again – but I still have the desire to do so some time, so who knows?

3.Your new sixth full length album is coming out in May. How was the writing and recording process? How do you write songs? What comes first, riffs or lyrics? As I understand, it is a concept album, what is the story behind the album? What is the main difference behind this opus and previous ones?

The guitar parts and arrangements are done before the lyrics. We’ve always done it like that and I still do it that way. After the songs assume shape, I browse through the lyrics by some friends of mine and myself and see if there’s anything that fit’s the songs musical idea. For me it’s important to create an intense atmosphere.  That’s why for me more  important than the meaning of the lyrics is the sound of them and the feeling they create.

In a few short words the album is about everything in life being limited, numbered. It’s a deeply personal topic for me, as it refelects my personal losses of the past years. There have been very sad experiences for me, but the one thing I could take way with me was the following: it’s the finiteness that makes our time to precious. Don’t waste it!

4.How did the cooperation with Zeitgeister come about? Is there going to be physical release or only digital?

Zeitgeister is a small label operated by some fellow-musicians – like Christian, Jan and Flo from Valborg – and me. We’ve released stuff there earlier and as it’s our own label we can do things exactly the way we want. So it was a natural choice. The digital release as well as CDs are already available, the LP version will come out beginning of May 2022. It’s a really high-end version in a beautiful gatefold coming with full-size booklet. You can order all this on klabautamann.de

5.How is the underground music scene in the place where you live?

There are some really cool bands like Steorrah, Valborg and Shredhammer, but due to corona there hasn’t been much live action. Jack Slater and Pavor are also great bands I can really recommend from around here, but I think they stopped playing together a while ago.

6.Are there any notorious or creepy urban legends in the area where you live?

There’s the legend of the Loreley, which is a huge rock face localized about a hundred kilometers up the river Rhine from here. It’s named after a girl who was raped by a priest and took her life by jumping from that rock into the Rhine. After that sailors were distracted because they saw a beautiful girl sitting on the rocks and combing her hair. That way they didn’t notice under water rocks in the river. Their ships crashed into them and sank.

7.Let´s talk about horror. Do you love horror movies and literature? If you do, what are your favorites? Mine are old Hammer horror movies and found footage, also golden era slashers from early eighties. Horror movies vs horror literature? Do you read? What books do you like?

I used to be into horror stuff when I was younger. Stephen King’s „Pet Sematary” and „The Shining” are still two of my favourite books. In terms of horror movies I don’t really have any favourites, though I remember enjoying Evil Dead and Braindead a lot.

I do like to read, usually it’s biographies, adventure reports (being an enthusiastic mountaineer), or stuff related to psychology, buddhism or minimalism. I guess my favourites are currently Arnold Schwarzeneggers Biography „Total Recall”, maybe „Touching the Void” by Joe Simpson and „The Happiness Trap” by australian psychologist Russ Harris. It’s difficult to say though, because there’s so much good literature out there!

8.I read somewhere that black metal isn´t black metal if it is not Satanic. Do you agree on that? I personally don´t.

Well, at least that’s not my definition. When I was a teenager I was a lot into all that satan stuff, but when we started with Klabautamann back in 98 that phase had already been over for some time. When I listen to music nowadays I do not care if there’s a pentagram or an inverted cross – for me it’s all about the music.

9.What are plans for immediate future? Classic for the end, is there anything you would like to add? Thank you!

First I’m really excited about the vinyl release of „numbered” – and after that there’s not so much planned as per now. I do already have a new topic for the next album, and some firends like Marlon – who played drums on „numbered” – have already expressed interest to participate next time! Really looking forward to writing new songs, though it might take a while as my little son is currently the most important thing in my life, so the rest has to wait.

Thanks for the interview, take care!

And for all that are into prog rock / metal, with a  dark and melancholic atmosphere, a lot of odd beats and a hint of black metal – check out our stuff on klabautamann.de !

(review) Agathodaimon – The Seven (Napalm Records)

I remember Agathodaimon well from second half of the nineties when they released their great albums Blacken The Angel and Higher Art Of Rebellion, both being a masterpiece of gothic influenced vampiric black metal with long songs, perfect mixture of black screaming and clean vocals and great melodies bringing something progressive and fresh into the scene. They released six albums and disappeared and now they are back with new opus and new line-up, but the constant backbone is guitarist/vocalist Sathonys. New opus contains 10 songs of beautiful melodic atmospheric black metal with great songwriting, fantastic melodies but the one thing that really stands out for me is interplay between Ashtrael´s shrieking voice and Sathonys´ clean and gothic voice thus delivering the skinprickling atmosphere of almost touchable darkness. The songs are not so long as in the first albums, but they tell the story of persistence, emotions, darkness, a bit romantic gothic vampirism and longing, eros and thanatos. My personal favorites are Mother Of All Gods which features ex member Vlad Dracul, also Ain´t Death Grand and both In My Dreams conceptual songs. Welcome back Agathodaimon, with a strong return album.

8,5/10

Germany’s KLABAUTAMANN announces details of ‘Numbered’ vinyl release!

Germany’s KLABAUTAMANN Announces Details of “Numbered” Vinyl Release

Teutonic progressive black metal pioneer KLABAUTAMANN has announced that its latest album “Numbered” – released as digipak, streaming, and digital download on December 17, 2021 via Zeitgeister – will also be available in a 12” vinyl limited edition from May 1, after completing a successful crowdfunding campaign. 

Having transformed into a solo project after Florian Troyka’s departure in 2019, KLABAUTAMANN mastermind Tim Steffens released a kind of concept album around the topic that all things in life are actually limited, numbered, a contemplation deeply rooted in the songwriter’s own experiences of loss and grief that he had to deal with in the recent years. Thus this album represents a more conceptual take than the previous ones, offering a more homogeneous and denser sound, atmosphere and some kind of story line that can even be partially inferred from the song titles. 

Numbered” would never have seen the light of day in the final shape without all the guest musicians and other contributors that Steffens invited – also countering the state of isolation that the pandemic often left us in by initiating a versatile and vibrantly creative process. Bringing together such gifted musicians like Anna Murphy (CELLAR DARLING, ex-ELUVEITIE)Andreas Maerz (STEORRAH)Marlon Drescher (MALUS) and Stephan Wehrbein – to name only a few – and integrating their respective parts so smoothly that the album becomes much more than a mere assemblage of parts can be also considered an essential aspect of the artistic process involved in the creation of this album. This was also facilitated by the impeccable, powerful mixing (Anna Murphy) and mastering (Tom Kvålsvoll) of the album. 

In the words of the artists involved, “Numbered” is an eclectic journey between darkness and light, beauty and beast; it’s an island behind the fog, new waves from dark waters, or a life resonating from within. It’s a mirror to the fears, depression and everyday questions. Mature music that grows on you. 

Numbered” proves that KLABAUTAMANN doesn’t have to hide behind the genre masters like Opeth or Enslaved, who were often cited by critics for reference. They shouldn’t compete either as they can claim their own narrow niche. 

Everything in life is numbered – that’s what makes it precious. 

Numbered” is available at this link: https://klabautamann.bandcamp.com/album/numbered

Numbered” tracklist: 

1. Snow (4:13)

2. Changed (3:00)

3. Daydream (6:37)

4. Conflicted (5:18)

5. Pretending (4:15)

6. Holding On (7:24)

7. Numbered (4:23)

8. Felt Everything (4:25)

9. Gone (6:17)

Credits: 

Drums recorded by Tim Steffens at Marlon‘s home in Hungary, August 2019 and July 2020. Anna‘s parts on ‚Daydream‘ and ‚Gone‘ recorded by Anna Murphy at Soundfarm Studios (Switzerland), December 2020. Everything else recorded by Tim Steffens at home in Germany, 2019 – 2020. Mixed by Anna Murphy at Soundfarm Studios in August 2020 – February 2021 and mastered by Tom Kvålsvoll at Kvalsonic Lab Norway, January – February 2021. Artwork by Christopher Duis. 

Line-Up: 

Tim Steffens – Vocals, Synth, Mandoline, Guitars and Bass on track 1 / Synth on track 2 / Vocals, Synth, Clean Guitars and Bass on track 3 / Synth, Guitars on track 5 / Guitars and Bass on tracks 6-7-8 / Guitars on track 9

Guests: 

Anna Murphy (CELLAR DARLING, EX-ELUVEITIE) – Vocals, Flute, and Mellotron on track 3 / Synth on track 9

Andreas März (STEORRAH) – Vocals on all tracks excepting 8-9

Marlon Drescher (MALUS) – Drums

Stephan Wehrbein – Vocals, Keys on track 6 / Vocals on tracks 7-8-9

Ingo Kerstjens – Vocals on tracks 1-3-4-7-9

Christoph Graf – Guitars on tracks 2-3-4

Gabor Schary – Bass on tracks 2-3-4-5

Chester Gerritse – Vocals on tracks 3-4-7

Nikolaus Garmsen – Synth on tracks 7-8

Stefan Otto – Bass on track 9

Lyrics by Thomas Hansen (tracks 1-2-5), Chester Gerritse (tracks 3-4-7), Stephan Wehrbein (tracks 6-8) and Tim Steffens on track 9.

KLABAUTAMANN Online: 

Website

Facebook

Instagram

Bandcamp

Zeitgeister label