(book) Marc Spitz – Nobody likes you: inside the turbulent life, time and music of Green Day

This one was written by late great journalist and publicist Marc Spitz who passed away in 2017. When I bought this book I actually wanted to learn more about phenomenon of Green Day, their success, rise and almost fall and then rise back. Most of all I wanted to find out an answer to my question, are they still punk or aren’t they? How much does it take to ‘sell out’ and betray the scene and ideals, did they really or is it just a mantra that is always present in this our little punk hardcore scene. Is signing up to major label betrayal? How much does it take to compromise and change your music due to request from your label bosses and men in corporate suits?

Well, this book is biography of this band, from their starts and playing at Berkeley, California and first two albums and history with legendary pop punk label Lookout Records, whose main man Larry Livermore says a lot about in this book. Besides main three protagonists, Billie Joe, Mike and Tre, lots of other punk scene alumni say a lot in this book, for example Fat Mike(Nofx/Fat Wreck), Brett Gurewitz(Bad Religion/Epitaph Records) and many more. Then of course there are major label years from Dookie to almost falling out and break up prior to first concept pop punk opera, album American Idiot, with this album this book also ends up, although there are couple of years and albums after that made this band still arena attraction. What I would like more is anecdotes from touring and some unknown and weird/funny stuff. There are couple situations here in the book like infamous Woodstock 94 mud show, trouble with shitting on balcony and beef and eternal war with The Offspring of which I would certainly like to find out more. But, did I find out the answers from the beginning of this review? Yes and no. Are they still punk? Yes and no in my opinion. They definitely kept their punk roots mixed with pop influences that Billie Joe had since his early childhood when he recorded his first single as a five year boy. Is signing to major betrayal? I would not do that with my band because there are enough let’s call them underground major labels like Fat Wreck, Epitaph and couple more to stay on them an keep your integrity. Are Green Day band with couple of anthological pop punk albums and hits, also with couple of crappy ones? Yes they are. Okay book, but nothing really insightful.

3/5

(review) Darkthrone – Astral Fortress(Peaceville Records)

You may say what you want but Darkthrone are explorers. Besides being black metal legends who released couple of milestone albums in black metal genre they decided to explore metal and musical boundaries and not giving a fuck what anybody thinks about that. Main occupation of Darkthrone’s music last couple of years is 80ies metal with Fenriz being an absolute encyclopedia of metal and underground. For me personally, the best phase in last couple of years of so, was more melodic punky crust phase with Circle The Wagons coming to mind immediately. On to this opus. This one contains seven songs, with one called Koboltn, West Of The Wast Forests being eerie piano synth instrumental. On this opus Darkthrone mix eighties metal with doom metal slower side of things but retaining enough melody in guitar riffs to keep songs interesting and good listening. My personal favorites are Eon 2 having such nice main guitar melody, also Kevorkian Times. There are no blast beats on this album, but there are synth parts smartly thrown in some songs, also acoustic atmospheric parts and varied yet hypnotic riffing topped with Nocturno Culto’s trade mark voice. Maybe it takes couple of listenings to get to love this album, but once you do it, it is superb like all Darkthrone releases.

8/10

(book) Blood Fire Death – The Swedish Metal Story

I wanted to get my paws on this one for a long time. Thanks to Rockmark Zagreb, I ordered my copy and got it, read it in less than a week. This book written by long time journalists Ika Johannesson and Jon Jefferson Klingberg came as something of a surprise for me. I thought that this will be another history of metal scene, from its start to nowadays, but boy was I surprised. This book consists of chapters which are stories for themselves about some of the most known or infamous members of the Swedish metal scene. I will mention the opener, story of Nifelheim twins, then story of Entombed and its divide in two bands, of course dark and impressive late Jon Nodtveidt of Dissection’s story. What would be story about Swedish metal without Dead of Morbid and Mayhem who ended his life in 1991 and is an icon of black metal scene. One of the absolute highlights for me was also story of Niklas Kvarforth and his Shining, his disappearance, the infamous gig with new singer Ghoul hehe, misantrophy and hatred. The book ends with story of melodic metal from more known bands like Hammerfall and Sabaton to less known underground power metal. Last chapter is Watain, band which I respect very much and who keep the flame of black metal burning bright. I recommend this book to all metalheads out there but also the ones who love extreme music and interesting stories.