Fade Dreams je dvočlani bend koji dolaze iz Ukrajine i ovo je njihova nova ploča koja sadrži 9 pjesama. Muzika koju ovaj bend svira oni opisuju kao depressive black metal, ali za mene taj pojam ne postoji, dakle opisati ću ga kao atmosferični, sporog ritma, kotrljajući riffovi, izmučeni black vokal i odlični naslovi pjesama kao što su My Therapist Is Dead, The River Remembers Rain ili My Skin Doesn’t Fit…kao što možete vidjeti riječ je o osobnim tekstovima koji se mogu pronaći u nekim životima, pogotovo mojem. Dakle, nemojte očekivati blast beatove, brzinu i agresiju, nego atmosferu, sporost, skoro doomaru i puno težine i tuge, ali i autoironije. Dobar album, dobar bend.
Tag Archives: dsbm
(review) No Point in Living – ‘Beautiful Tragedy’
No Point in Living is hailing from Japan and it has been in the scene since 2015. This is very prolific entity under mastermind, one individual called Yu. This is the brand new opus and it contains seven songs. Music of No Point in Living can be described as a mixture between depressive suicidal black metal, more aggressive and raw black metal and atmospheric black metal with longer songs and so many emotions in this opus, making me remember why I love black metal so much as a means of expressing darkness, atmosphere, feelings and your innermost self and demons. Lyrically this opus delves in waters of self hate, depression, hopelessness, making it out of this alive or dead, darkness and nihilism and misanthropy. Vocals are deeper in some songs like singing from coffin or beneath the earth, gloomy and dark, so is guitar work, but there are lots of tempo changes in song parts but retaining some really melodic, at times acoustic synth backed parts to make it almost a vessel comprised of soundscape black ship which takes your mind and body to other spiritual dark dimension in which you feel painful but good at the same time. My personal favorites on this one are: ‘All or Nothing’, ‘Beautiful Tragedy’ and ‘Song of Loser’.
8/10
(review) Happy Days – ‘En enfer, J’ai Régné’ (Talheim Records)
Happy Days from USA released their first full length in last five years. Why, maybe you wonder? Why so long? Well, this opus will give you an answer. There is an eerie intro plus ten songs of explanation on this opus. For those who don’t know, Happy Days play depressive black metal, raw and atmospheric with all the conviction of an occupant of psychiatric institution and between four walls different ideas occur, maybe only to me, but I am sure that also to A.Morbid who wrote his most deep and personal opus with this one. My metal brother in my hometown once told me that depressive black metal is non existent because it destroys the meaning of bm, being aggressive and yet atmospheric music and that all dsbm bands are in fact Burzum clones turning one or two riffs all along. This band and album is something I will play to my brother to prove that his statement is not true. Just listen to slow, doomy rolls of ‘J’y étais’ with almost post black metal guitar work, fantastic anguished screaming and female spoken vocals topped with choirs, making it a fantastic opus. ‘Hollow’ is another absolute highlight, I am amazed how Happy Days manage to connect black metal with gentle piano and synth melodies, almost ethereal clean vocals turning into anguished tortured screams, superb female vocals and great songwriting like a whirlwind of emotions. Songs like ‘Mors Vincit Omnia’ and ironic ‘Life Goes On…’ show all the heartbreak, emptiness, bare blooded flesh of emotions without skin or mask. This is a tour de force of emotional black metal.
10/10


